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Magazine Edits

Any corrections or additions to Musicwoman Magazine will be posted here.

  1. The cover photo of Gayelynn McKinney is credited to Barbara Barefield.
  2. On p. 28 the paragraph should read: Although researchers have explored the phenomenon of the challenges faced by women musicians, very little prior research has shown that women jazz musicians lack the necessary business skills to succeed. The benefit gained from this research study will be utilized to show young women jazz musicians the importance of business education in this $15.5 billion music industry in the United States (Anonymous, 2016).

Who Am I?

Always reinvent!

Divine Connection Church

Again, it is time to reinvent, after recapping the activities and occurrences of the past year. It was a very hot year, 2017. Many things culminated in 2017, including the completion of my doctorate.

peace-sign handThis completion led to new beginnings that I am just now recognizing. I live in a new place, in a new city, with new responsibilities and goals. The goal is to take it to the next level. But first, I must recognize who I AM!

I AM the light, the way, the bringer of peace and tranquility. THAT is who I AM!

I live in the light. I walk the way. I bring peace.

I AM tranquility.

I AM ascending to higher heights of knowing, understanding, and being.

My universe is filled with moments of love, light, peace, and joy.

Singular bliss defines my existence.

Ase!

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Breaking down barriers in jazz

The problem with women in jazz is longstanding. That’s why we have http://wijsf.org. We promote women musicians, globally!

UC San Diego Extension

holly-bluejpg

by Beth Wood

Holly Hofmann is an acclaimed jazz musician who tours internationally. Her success has not been without challenges, however. Hofmann has had to overcome misconceptions and biases about her gender and her instrument. Often told a woman couldn’t make a living in jazz, she also has had to convince many that the flute belongs in a jazz band as much as a saxophone or trumpet.

“I have been fighting discrimination since 
I was a young student,” Hofmann said. 
“The flute was a problem, but it’s also related to the question about women. Other women who played the so-called jazz instruments were not welcome either. A lot of the men didn’t want women on the bus.”

Hofmann fully supports the goal of the UC San Diego Jazz Camp to increase its number 
of female students. She has been an instructor at the weeklong summer camp almost every year since…

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